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The paint tools apply strokes of color. In most cases, you ll be painting with the foreground color, though you also can create multicolored brushstrokes using the Color Dynamics options in the Brushes palette, as you ll see later. Here s how the paint tools work: n Brush: This tool paints a line of any thickness that you specify, using the Options bar or the Brushes palette. You can make the line sharp or blurry, but it s always slightly soft that is to say, the edges of the brushstroke blend to some extent with the background. Known as anti-aliasing, this softness produces halftone dots when printing, ensuring smooth transitions between a brushstroke and its surroundings. If the stroke doesn t look soft to you when you make it, try zooming in a bit you ll see those smooth transitions, even on lines that look quite crisp at lower-level magnification. Normally, the Brush tool applies a continuous stream of color and stops applying paint whenever you stop dragging. However, if you activate the Airbrush function by clicking the Airbrush icon next to the Flow setting in the Options bar, the color continues to build as long as you press the mouse button, even when holding the cursor in a stationary position. This pooling of paint, shown in Figure 5.2, is the most obvious impact of the airbrush option. Also shown in this figure are similar strokes made with a hard and a soft brush of the same dimension.

A molecule A occurs in two energy states separated by DE. (a) Derive an expression for the partition function of A and calculate its limiting values at low and high temperature (i.e. 0 and K). (b) Calculate the average energy of the molecule and give the limiting values at low and high temperature. (c) Suppose that A is in equilibrium with an isomer B, which possesses the following energy levels with respect to the ground state of isomer A: DE/2, 3DE/4 and DE. Derive an expression for the equilibrium constant K = [B]/[A] and calculate the limiting values of K at low and high temperature. Discuss the meaning of the obtained values. Hints: use the following equations: q P

LL Shared Assets: Defines images, Flash movies, or Dreamweaver Library items to be available by all users within a particular role. LL New

FIGURE 11.8 The Filter Gallery gives you access to a large preview of your image (without having to drag a filter dialog box aside to see your image window) and access to each filter s controls. Very handy. Image preview Filter sections correspond to Filter menu s submenus. Click here to enlarge preview. Active filter settings

All this work and you re still not at the Wi-Fi interface yet! (I sure wish Sony had made this easier.) To get to the final piece, the Wi-Fi card, you need to remove the shielding plate by using your precision Philips-head to remove the three remaining screens holding it in place, as shown in Figure 4-15.

In the dialog box, click a tap checkbox to activate a tap delay effect. Enter a delay time in the delay field. The delay is the time between the audio and the delay. Click in the filter icon to remove low or high frequencies. The Feedback percentage controls the percentage of delay fed back to the original audio. Use the Channels icon only with Stereo audio clips to specify which channel governs the effect. The Cross option can be used to create echoes, by creating a feedback in the opposite channel of a delay. The Musical Time Calculator at the bottom of the dialog box is designed to help you calculate delay if you wish to synchronize the Multitap filter effect with music. Enter the time signature, such as 4/4, the tempo in beats per minutes, and then click a note.

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In general terms, a chipset contains circuitry to provide controller functions and bus architecture support. Without going overboard, here is a brief overview of these chipset activities:

TABLE 3-5